These objects were not intentionally arranged, but I treated them as if they were meticulously composed still lifes. Careful consideration was given to the frame and the existing quality of light to build a strong composition highlighting the shapes, textures and surfaces of these everyday, grubby household items. By making prints on a larger scale, the presence of these "disregarded" sinks become monumental. The imagery exemplifies the imperfect, while revealing the aesthetic aura of the banal kitchen sink.












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